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he captures the animal's character
The work is evocative
oil on stretched canvas
The immense losses endured through World World II are distilled into a strange moment of pathos
James Whitington 'Chair (Parisians II)' nature he captures the animal's characterJames Whitington is a master printmaker and artist. From 1977 to 2000 he worked with a range of distinguished artists including Brett Whiteley, Charles Blackman, Tim Storrier, David and Arthur Boyd. In 1989, he had his first solo exhibition of paintings and monotypes. Chair (Parisians II) is a strangely beguiling image. It is gestural and abstract, rough to the touch yet liquid to the eye. In the dance of Whitingtons marks are infinite allusions:
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